James Turrell, a Los Angeles native, studied psychology and mathematics before receiving an MFA in art from the Claremont Graduate School in California in 1966. Turrell’s medium of art is light and he has spent his life learning how to manipulate it into an experience that can be shared with others. New Yorker critic Calvin Tompkins writes of Turrell, “His work is not about light, or a record of light; it is light - the physical presence of light made manifest in sensory form.”
Turrell obtained his pilot’s license at 16 and flew supplies to mine sites in remote areas. In his many years of flying, he has witnessed firsthand how light affects perception and how reality is altered when there are no visible landmarks available to aid in identifying the surrounding space. Think about flying into a cloud formation or storm where the ground, sun, stars or any visual references we typically use to orient us disappear. There is nothing to indicate whether we are up or down.
Turrell uses a variety of techniques to manipulate a viewer’s awareness of light and space. He makes projection pieces that create illusions of objects with depth such as a cube that appears to be floating in the air. He manufactures light panels with slowly changing colors. He constructs light-filled tunnels, such as the “The Light Inside” at the Museum of Fine Arts in Houston. He creates rooms with changing colors of light that eliminate depth perception and cause the viewer to experience the “Ganzfeld effect,” a disorienting experience similar to being in a snowstorm white-out. He builds Skyspaces which are permanent installations in which visitors sit in an enclosed space and look up to an aperture to the open sky. Artificial lights mingle with the natural light allowing the viewer to perceive the movement of clouds and the changing colors of the sky in a hyper-focused way. Turrell’s most ambitious project to date is Roden Crater, a natural cinder cone crater he purchased in Arizona in 1977. He has been painstakingly transforming it into a massive, fully immersive astronomical observatory.
James Turrell’s works may be found in countless public art collections and museums throughout the world including Crystal Bridges Museum of American Art, Bentonville, Arkansas; Solomon R. Guggenheim Museum, New York; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Los Angeles County Museum of Art, California; Museum of Contemporary Art, Los Angeles; The Museum of Fine Arts, Houston; The Museum of Modern Art, New York; and the Whitney Museum of American Art, New York.
Year: 1999
Title: Eclipse
Medium: Photographic prints mounted on aluminum
Location: Carl Parker, 2nd Floor
Gift of Rob Clark and Jerry Thacker
In 1999 James Turrell was commissioned by his art dealer Michael Hue-Williams to build a temporary Skyspace on a hillside in the Tremenheere Sculpture Garden in Cornwall County, England. The structure was built as an observatory for viewing a total solar eclipse scheduled to occur August 11, 1999. The Skyspace, named Elliptical Ecliptic, was designed in an elliptical shape approximately 33 feet across at the widest point. The structure was 19 feet tall with a metal exterior. The interior had a pea gravel floor and a viewing bench circling the inner walls. The ceiling aperture was Turrell’s first in an oval rather than rectangular shape. In days prior to the eclipse, the aperture was covered with a tarp containing a single round hole. Turrell essentially turned the space into a large camera obscura, also known as a pinhole camera. A viewing platform was mounted inside so the two-minute eclipse could be safely observed as a projection.
Turrell took multiple photos of the projections the day before and the day of the eclipse. A book was published to commemorate the event, along with a CD of original music compositions by Paul Schutze. Turrell also created several series of limited-edition photographic prints. The four images in ÃÛÌÒÊÓƵ’s public art collection are mounted on aluminum and were made in a small edition of 10. They came from the personal collection of Michael Hue-Williams. They were taken on August 10th, 1999. With these photographs, Turrell is allowing us to view at our leisure a snapshot of the sun with its halo of light surrounded by wispy cloud formations. The subtle color variations mimic the view we might have through a solar filter and allow us to witness one of nature’s most impressive natural phenomena at close range.
The temporary Elliptical Ecliptic in 1999 has since been replaced with a permanent Skyspace.